AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA MUSICA - Issue no. 1 / 2017 | |||||||
Article: |
THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN. Authors: AUREL MURARU. |
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Abstract: DOI: 10.24193/subbmusica.2017.1.19 Published Online: 2017-06-20 Published Print: 2017-06-30 pp. 269-277 FULL PDF ABSTRACT: “Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a general dramaturgy making a subtle shift from diatonicism, through chromaticism, towards ultra-chromaticism. The continuous pendulation between polyphony and heterophony, as well as the permanent oscillation between “sprechgesang” and microtonality give birth to a musical work full of tension and drama. Keywords: polyphony, heterophony, sprechgesang, microtonality. REFERENCES Giuleanu, Victor, Tratat de teoria muzicii (Treaty of Music Theory), vol. I, Editura Muzicală Publishing House, Bucharest, 1981. Popovici, Doru, Introducere în opera contemporană) Introduction to the Contemporary Opera, Facla Publishing House, Timişoara, 1974. Steinhardt, Nicolae, Dăruind, vei dobândi (By Giving, You Shall Receive), Dacia Publishing House, Cluj-Napoca, 2002. Urmă, Dem, Acustică şi muzică (Acoustics and Music), Editura Ştiinţifică şi Enciclopedică Publishing House, Bucharest, 1980. |
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