Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.1 / 2017 - Table of contents
     
     
 
1.  LAUDATIO - SALUTATIONS TO THE ARTIST DR. KIRKÓSA JÚLIA TURNING 70 / A 70 ÉVES DR. KÖPECZI KIRKÓSA JÚLIA MŰVÉSZNŐ KÖSZÖNTÉSE.
          Authors: MOLNÁR JÁNOS.


2.  A TOUR AMONG THE MUSICIANS OF THE BIBLE - A STUDY DEDICATED TO DR. KIRKÓSA JÚLIA.
          Authors: MOLNÁR JÁNOS.


3.  THE DESCRIPTION OF KOLONICS ORGANS OF TRANSYLVANIA – PART I / WERKSAUFLISTUNG DER KOLONICS ORGELN IN SIEBENBÜRGEN - TEIL 1.
          Authors: ERZSÉBET WINDHAGER-GERÉD.


4.  CASTRATOS, AS THE PRIMO UOMO-S OF THE BAROQUE OPERATIC STAGES / KASTRATEN, DIE PRIMI UOMINI DER EUROPÄISCHEN OPERNBÜHNEN.
          Authors: MIKLÓS FEKETE.


5.  MESSAGES OF NASCENT PICTURES IN PROMISE OF A REMEMBRANCE. MUSIC EVOCATIONS FOR THE HERMENEUTICS OF DOBRIBÁN EMIL’S WORKS.
          Authors: ISTVÁN ANGI.


6.  RAVEL ON (HIS) IMPRESSIONISM.
          Authors: ATTILA FODOR.


7.  MUSIC AND SPACE.
          Authors: ALEXANDRU-ȘTEFAN MURARIU.


8.  ELEMENTS OF CHRISTIAN SPIRITUALITY IN THE VOCAL MUSIC OF ROMANIAN COMPOSERS (SOLOISTS REPERTOIRE FOR SOPRANO, CHORAL AND SYMPHONIC VOCAL REPERTOIRE – THE SECOND HALF OF THE 20th CENTURY AND THE BEGINNING OF THE 21st CENTURY).
          Authors: PETRUŢA-MARIA COROIU, MARIA PETCU-CATRINA.


9.  CHAMBER MUSIC INITIATIVE IN CHORAL SINGING AND ENSEMBLE WORK IN ERASMUS IP COOPERATION.
          Authors: NOÉMI MACZELKA.


10.  MOVING PIANO LESSON. THE INTEGRATION OF THE MOVEMENT IN THE PIANO LESSON / BEWEGLICHE KLAVIERSTUNDE. DIE INTEGRATION DER BEWEGUNG IN DEN KLAVIERUNTERRICHT.
          Authors: DOROTTYA MAROSVÁRI.


11.  THE CONDUCTING TECHNIQUE - AN INSTRUMENT USED TO SOLVE THE ISSUE OF CONDUCTING CUTOFFS AND THE ”UNA BATTUTA” TIME BEATING TECHNIQUE.
          Authors: LUMINIŢA GUŢANU STOIAN.


12.  A VALUABLE FOLK MUSICIAN FROM FUNDU MOLDOVEI – THE SHEPHERD’S PIPE PLAYER LIVIU ŢARAN.
          Authors: IRINA ZAMFIRA DĂNILĂ.


13.  THE ROMA MUSICIANS OF MAGYARPALATKA AS PRESERVERS OF TRADITIONS.
          Authors: JUDIT KOMPÁR - RŐMER.


14.  VARIATION FORM IN MOZART’S PIANO WORKS .
          Authors: BOGLÁRKA ESZTER OLÁH.


15.  IV. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS. GIOVANNA’S EVENING PRAYER FROM VERDI’S GIOVANNA D’ARCO (PROLOGUE, SCENE 2).
          Authors: ADÉL FEKETE.


16.  SACRED CONNOTATIONS IN THE OPENING STORM FROM GIUSEPPE VERDI’S OTELLO / KONNOTATIONEN DES HEILIGEN IN DER ERÖFFNENDEN STURMSZENE VON GIUSEPPE VERDI’S OTELLO.
          Authors: LETIŢIA GOIA, CORNELIA CUTEANU.


17.  RICHARD STRAUSS’ FOREWORDS TO INTERMEZZO.
          Authors: BENCE ASZTALOS.


18.  ZOLTÁN GÁRDONYI’S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND ORGAN INSPIRED BY THE TUNE OF THE HYMN ENTITLED: „AZ ÉN IDŐM, MINT A SZÉP NYÁR” (”MY TIME IS LIKE THE SHINY SUMMER”).
          Authors: GABRIELA COCA.


19.  MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW.
          Authors: MIKLÓS NOÉMI.


20.  THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN.
          Authors: AUREL MURARU.


21.  ANALYTICAL VIEW ON THE LYRICAL ORATORIO CÂNTECE DE VREMUIRE (SONGS OF CHANGE) BY VALENTIN TIMARU.
          Authors: EMANUELA-FABIOLA PRIP.


22.  BOOK REVIEW - VALENTIN TIMARU - ON MUSIC AND BEAUTY IN ESSAYISTIC STYLE.
          Authors: EMANUELA-FABIOLA PRIP.


23.  BOOK REVIEW - RECLAIMING BUKOVINA’S MUSICAL FOLKLORE HERITAGE COLLECTED BY ALEXANDRU VOEVIDCA AT THE BEGINNING OF THE 20TH CENTURY FOR THE CONTEMPORARY.
          Authors: IRINA ZAMFIRA DĂNILĂ.


  
     
 
 
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