STUDIA UNIVERSITATIS SERIES
  STUDIA DRAMATICA  Issue no. 1 / 2015
     
  Content:
     
   

1.  SELECTIVE BRECHTIANISM: REWORKING MOTHER SAVAGE FOR THE GERMAN STAGE.

2.  YOSHI OIDA, PORTRAIT OF THE ACTOR AS AN INITIATED HUMAN BEING / YOSHI OIDA, PORTRAIT DE L’ACTEUR EN INITIE.

3.  THE ACTOR’S CONSCIOUS BODY / LE CORPS CONSCIENT DE L’ACTEUR.

4.  ASPECT OF THE BODY AND QUALITY OF THE SOUL IN SOME COMIC AND TRAGIC-COMIC 17TH-CENTURY FRENCH PLAYS / ASPECT DU CORPS ET QUALITÉ DE L’ÂME DANS QUELQUES PIÈCES COMIQUES ET TRAGICOMIQUES DU XVIIE SIÈCLE FRANÇAIS.

5.  THE PLASTIC BODY IN BECKETT’S DRAMA: IMAGE, MATERIAL, MOVEMENT, GESTURE / LE CORPS PLASTIQUE DANS L’ŒUVRE DRAMATIQUE DE BECKETT : IMAGE, MATIERE, MOUVEMENT, GESTE.

6.  THE ACTING BODY BETWEEN VIRTUAL AND ACTUALITY / CORPS EN ACTE, ENTRE VIRTUEL ET ACTUEL.

7.  BODIES OF WITCHES, BETWEEN HORROR AND BEAUTY. FROM PAINTING TO CINEMA, AVATARS OF AN ICONOGRAPHIC TRADITION / CORPS DE SORCIÈRES, ENTRE HORREUR ET BEAUTÉ. DE LA PEINTURE AU CINÉMA, AVATARS D’UNE TRADITION ICONOGRAPHIQUE.

8.  REPRESENTATION OF THE BODY IN THE CINEMATOGRAPHIC STAGING OF PROUST’ VISION OF TIME / LA FIGURATION DU CORPS DANS LA MISE EN SCÈNE FILMIQUE DU TEMPS PROUSTIEN.

     
       
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The editorial activity of Studia is coordinated by the Council for University Scientific Research, by the Editorial Commission and by 29 editorial teams



 

 

Presently, Studia is edited in 29 series (15 series between 1990-1995, 21 series between 1996-1998, 22 series between 1998-1999, 23 series between 1999-2000, 24 series between 2001-2006, 27 series since 2007, 29 series since 2008).

 

 

Studia Universitatis Babes-Bolyai Journal has been part of the University since 1955, being the place where the teaching staff of Babes-Bolyai University present the outcomes of their scientific activities.
 
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