AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: BOGLÁRKA ESZTER OLÁH.
DOI: 10.24193/subbmusica.2017.1.13
Published Online: 2017-06-20
Published Print: 2017-06-30
pp. 185-202
FULL PDF
ABSTRACT:
This study presents the variation form in Wolfgang Amadeus Mozart’s piano works. At first there is a short description of the variation form. From each genre, where the variation form appears in Mozart’s piano works, I chose the most representative example: the “Je suis Lindor“ Variations as an independent variational work, the first movement of the A major piano sonata KV 331 as a variational part of a solo piano work and the second movement of the E flat Major KV 482 piano concerto as a part of a concert. By analysing the works mentioned before I obtained a clear image about Mozart’s harmonical language, form and structure, character and tonalities in his variational piano works.
Keywords: Mozart, piano, variation form, sonata, concert.
REFERENCES
***, Mozart studies I. Omagiu lui Jaap Schröder (Mozart studies II. Jaap Schröder’s tribute), Ed. Arpeggione, Cluj-Napoca, 2007.
***, Mozart studies II. Omagiu lui Robert Levin (Mozart studies II. Robert Levin’s tribute), Arpeggione, Cluj-Napoca 2007.
Bauer, Wilhelm & Deutsch, Otto Erich, Mozart Briefe und Aufzeichnunge, Bärenreiter, Kassel-Basel-Paris-London-New-York, 1963.
Bera, Adriana, Retorică şi afect în discursul pianistic mozartian (Rhetoric and affect in Mozart’s pianistic discussion) , Arpeggione, Cluj – Napoca, 2007.
Bera, Adriana, Expression und Gusto (Expression and Giusto), Arpeggione, Cluj-Napoca, 2007.
Brügge, Joachim – Knispel, Claudia, Mozart Handbuch – Mozarts Orchesterwerke und Konzerte, Laaber, Germany, 2006.
Deutsch, Otto Erich, Mozart - Die Dokumente seines Lebens, Ed. Bärenreiter, Kassel – Basel – Paris – London – New-York, 1961.
Landon, Robbins, Das Mozart-Kompendium, Droemer Knaur, München, 1991.
Ludwig, dr. Ritter von Köchel, Wolfgang Amadé Mozart, Breitkopf & Härtel, Wiesbaden, 1983.
Michels, Ulrich, Music-Atlas. Athenaeum, Budapest 2000.
Sadie, Stanley, The New Grove Dictionary of music and musicians. Macmillan Publishers, London-New York, 2001.
Schmidt, Matthias, Mozart Handbuch – Mozarts Klavier – und Kammermusik. Laaber, Germany 2006.
Silke, Leopold, Mozart Handbuch, Bärenreiter-Metzler, Kassel, 2005.
