Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.2 / 2023 - Table of contents
     
     
 
1.  IN MEMORIAM VIOREL COSMA (1923-2017): OUTSTANDING PERSONALITY FOR ROMANIAN MUSICOLOGY.
          Authors: CRISTINA ȘUTEU.


2.  AT THE CROSSROADS BETWEEN OPERA AND ORATORIO: BIBLICAL THEMES AND 19TH CENTURY FRENCH OPERA.
          Authors: NOÉMI KARÁCSONY, MĂDĂLINA DANA RUCSANDA.


3.  IMPRESSIONISM IN SERBIAN MUSIC.
          Authors: VIRĐINIA TOTAN, PETRUȚA MARIA COROIU.


4.  REMIXING AS A LUDUS-COMPONENT OF THE MODERN CULTURE.
          Authors: KATERYNA PIDPORINOVA.


5.  THE RELATIONSHIP BETWEEN COLOUR AND MUSIC IN THE ART OF COMPOSER EDE TERÉNYI.
          Authors: GABRIELA COCA.


6.  TREMOLO ON DOMRA AS A MEANS OF ARTISTIC EXPRESSION.
          Authors: SVITLANA BILOUSOVA.


7.  PRINCIPLES AND PROCEDURES OF THE CONSTRUCTION OF OPERA SCENARIOS.
          Authors: MĂDĂLINA GABRIELA BOURCEANU.


8.  ORCHESTRATION OF PROPER PIANO PIECES AS A SELF-INTERPRETATION.
          Authors: BORYSLAV STRONKO.


9.  THE CHERUBIKONS OF UKRAINIAN COMPOSERS OF THE 20TH–21ST CENTURIES: THE SPIRITUAL GENRE IN MODERN STYLISTIC INTERPRETATION.
          Authors: MARYNA VARAKUTA, DARYNA KUPINA.


10.  MICROANALYSIS OF A MUSIC THERAPY SESSION SEGMENT WITH AN AUTISTIC CHILD.
          Authors: MIRJÁM BORZÁSI, CATHERINE WARNER, LOIS VĂDUVA.


11.  THE COGNITIVE MECHANISM OF MUSIC.
          Authors: NICOLAE GOJE.


12.  MUSIC AND THE ALTERED STATE OF CONSCIOUSNESS.
          Authors: LAJOS KIRÁLY.


13.  DEFINITORY CHARACTERISTICS OF PIANISTIC EXPRESSION IN THE CONTEMPORARY JAZZ.
          Authors: FLORIN BĂLAN.


14.  ABOUT ELECTROACOUSTIC MUSIC: FROM THE BEGINNING UNTIL OUR DAYS.
          Authors: ANCA-TEODORA PIEPTĂNATU.


15.  VOCAL PEDAGOGY – REFLECTIONS ON HOW TO TEACH PROPER SPEAKING AND SINGING TO STUDENTS.
          Authors: JUDIT HARY.


16.  LÁSZLÓ DOBSZAY: THE WORLD OF TONES SOLFÈGE BOOK SERIES AND THE TIMELINESS OF THE CONTEMPORARY EDITION.
          Authors: KRISZTINA VÁRADY.


17.  MODERN GLOBAL TRENDS IN THE DEVELOPMENT OF CHORAL PERFORMANCE.
          Authors: OLENA BATOVSKA, NATALIYA BYELIK-ZOLOTARYOVA, JULIIA IVANOVA.


18.  THE ARSENAL OF MEANS USED BY A CONDUCTOR IN DECODING AN OPERA SCORE.
          Authors: TRAIAN ICHIM.


19.  VIOLIN ETUDES OF THE 19TH CENTURY IN THE ASPECT OF THE EVOLUTION OF PERFORMING MASTERY.
          Authors: STANISLAV KUCHERENKO.


20.  INTERPRETATIVE ELEMENTS OF GYÖRGY KÓSA’S CHINESE SONG SERIES FROM AN ART PSYCHOLOGY PERSPECTIVE.
          Authors: KRISZTINA SINKA.


21.  PERFORMANCE STYLE AS COMPREHENSIVE ARTISTIC METHOD IN THE FIELD OF MUSIC.
          Authors: VІTALІI ZAIETS.


22.  ANALYTICAL ASPECTS OF THE THREE VERSIONS OF CONFITEBOR TIBI, DOMINE BY CLAUDIO MONTEVERDI.
          Authors: APOLKA FÁBIÁN.


23.  EXAMPLES IN THE DEVELOPMENT OF CLEMENTI’S FOUR-HAND PIANO SONATA.
          Authors: VALENTIN MUREȘAN.


24.  OPERA METAMORPHOSES OF THE STORY OF MANON LESCAUT.
          Authors: ADILYA MIZITOVA.


25.  TRANSCRIPTION, PARAPHRASE, CREED IN FRANZ LISZT’S VARIATIONS ON „WEINEN, KLAGEN, SORGEN, ZAGEN”.
          Authors: BOGLÁRKA ESZTER OLÁH.


26.  THE PROPORTION AND IMPORTANCE OF FOLK MUSIC IN PIANO METHOD VOLUME 1 AND 2.
          Authors: JUDIT CSÜLLÖG.


27.  THE GATES OF SKY BY EDE TERÉNYI: SOURCES AND CONTEXT.
          Authors: ATTILA FODOR.


28.  INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (2) ETOS I .
          Authors: PAULA ȘANDOR.


29.  BOOK REVIEW: THE BOOK OF SCATTERED BEADS. REFLECTIONS ON THE NARRATIVE CONTENT, ON THE SEMANTIC MAP, AND ON THE STRUCTURAL ARCHITECTURE: PASCAL BENTOIU, DESCHIDERI SPRE LUMEA MUZICII (OPENINGS TO THE WORLD OF MUSIC), BUCHAREST: EDITURA MUZICALĂ, 1973.
          Authors: OLEG GARAZ.


  
     
 
 
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