Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.1 / 2022 - Table of contents
     
     
 
1.  KATALIN INCZE G.: PORTRAIT OF A COMPOSER.
          Authors: KRISZTIÁN KÁLLÓ.


2.  ENCOURAGING GUIDELINES IN NEUROMUSICOLOGICAL RESEARCH REGARDING CLASSICAL MUSIC’S USAGE IN SONIC THERAPY - WHEN SCIENCE BECOMES MAGIC.
          Authors: CSILLA CSÁKÁNY.


3.  A CASE STUDY ON SONGWRITING IN MUSIC THERAPY.
          Authors: ELISA PASTOR, BOB HEATH, LOIS PAULA VĂDUVA.


4.  PROPOSAL OF AN ALTERNATIVE REPERTOIRE FOR CLASSICAL MUSIC AUDITION THROUGH THE ROCK GENRE .
          Authors: ALEXANDRA BELIBOU.


5.  SIGNIFICANT PERSONALITIES AS TURNING POINTS IN THE LIFE AND MUSIC OF JOHANNES BRAHMS.
          Authors: SEBASTIAN SHWAN, STELA DRĂGULIN.


6.  THE CHANGING OF THE AESTHETIC BALLET’S SPHERE IN THE INTERWAR PERIOD. BETWEEN THE DECONSTRUCTION OF OSKAR SCHLEMMER’S BALLET AND THE IDEA OF “GEBRAUCHMUSIK” OF PAUL HINDEMITH – AN IMAGISTIC ALLEY FROM OSKAR SCHLEMMER TO CÉLINE DION [1922-2019].
          Authors: MARIA-ROXANA BISCHIN.


7.  CONVERTING NATIONALISM INTO SOCIALISM THROUGH FOLK MUSIC IN STALINIST ROMANIA.
          Authors: OTILIA-MARIA BADEA.


8.  A PERSPECTIVE ON THE OPERA AUDIENCE OF THE 21ST CENTURY.
          Authors: CRISTINA RADU-GIURGIU.


9.  COMPOSITIONAL PARTICULARITIES AND ASIAN INFLUENCES IN THE MUSICAL CONCEPTION AND WORKS OF JOHN CAGE.
          Authors: MĂDĂLINA DANA RUCSANDA, NOÉMI KARÁCSONY.


10.  THE BEGINNING OF MODERNISM IN THE MUSIC OF SERBIAN COMPOSERS.
          Authors: VIRĐINIA TOTAN, PETRUȚA MARIA COROIU.


11.   THE ASSESSMENT OF ORIGINALITY IN ACADEMIC RESEARCH.
          Authors: CRISTINA ȘUTEU.


12.  MUSIC TRANSFER AND CULTURAL CONTACT: ROMANIAN POPULAR SONGS IN THE REPERTOIRE OF THE SAXONS FROM THE SECAȘE VALLEY.
          Authors: THEODOR CONSTANTINIU.


13.  VOCAL DEPERSONALIZATION IN SCAT SINGING.
          Authors: LUIZA ZAN, STELA DRĂGULIN.


14.  THEOLOGICAL, LITERARY, AND MUSICAL KNOWLEDGE, ALL IN THE SERVICE OF SACRED MUSIC. THE PSALM ARRANGEMENTS OF KÁLMÁN CSOMASZ TÓTH.
          Authors: ÉVA PÉTER.


15.  DAS GEBET „VATERUNSER” IN DER KOMPONISTISCHEN SICHT VON CIPRIAN PORUMBESCU – THEOLOGISCHE UND MUSIKOLOGISCHE ASPEKTE / THE PRAYER "OUR FATHER" IN THE COMPOSITIONAL VIEW OF CIPRIAN PORUMBESCU – THEOLOGICAL AND MUSICOLOGICAL ASPECTS.
          Authors: MIHAI BRIE.


16.  THE FORMAL, TONAL, AND HARMONIC LOGIC OF L. VAN BEETHOVEN’S AN DIE FERNE GELIEBTE (TO THE DISTANT BELOVED) (OP. 98) SONG CYCLE.
          Authors: GABRIELA COCA.


17.  THE CHARACTER “LUCREZIA BORGIA” OF DONIZETTI’S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES.
          Authors: EDITH GEORGIANA ADETU, PETRUȚA MARIA COROIU.


18.  IN DIALOGUE WITH IMPRESSIONISM: JEUX D’EAU BY MAURICE RAVEL.
          Authors: ATTILA FODOR.


19.  EXPRESSION OF THE ROMANIAN FOLK STYLE IN BÉLA BARTÓK’S STRING QUARTET NO. 1.
          Authors: ANDRA DANIELA PĂTRAŞ.


20.  THE HYPNOTIC GARDEN: REPETITION AND TRANCE IN SALVATORE SCIARRINO’S WORKS FOR FLUTE.
          Authors: DIANA ROTARU.


  
     
 
 
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