AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
|||||||
STUDIA THEOLOGIA ORTHODOXA - Issue no. 2 / 2014 | |||||||
Article: |
LIME – OBTAINING AND USING IT IN MURAL PAINTING. Authors: . |
||||||
Abstract: Slaked lime and quicklime have been known and used since antiquity and the Middle Ages as construction material and base in monumental painting. Lime qualities are the most diverse: it is durable, resistant to temperature variations and washing. It presents stability to the action of chemical and physical factors that come into contact. Used in Frescoes, the lime provides a matte finish to the painting, which helps in reading the image regardless of the angle in which the viewer is and gives the colour transparency and durability. The techniques in which lime was irreplaceable are the expression of a long tradition as found in the texts of Byzantine painting Erminia. Key-words: mural painting, limestone, lime, tradition, continuity, fresco technique, mosaic technique, white pigments.
|
|||||||