AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA THEOLOGIA ORTHODOXA - Issue no. 1 / 2014 | |||||||
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EVOLUTION, AESTHETIC AND CREATIVE FREEDOM IN THE ART OF THE ICONOSTASIS. Authors: . |
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Abstract: The article analyses the evolution, the aesthetics and the creative freedom in the art of the iconostasis. It reveals historiographic aspects regarding the evolution of the iconostasis and it refers to aesthetic forms encountered in the art of the icon through color. Notions such as artistic expression, chromatic harmony, iconic composition, have led across the centuries to creative freedom. Beauty as an aesthetic side in icon stands out through the harmony of all elements and the sign of the aesthetic presence through specific components. The iconography of the iconostasis gathers all the notes, characteristics and specific traits of the icon through particular and original attributes belonging to the unique coloring, permanently reaching towards being a prototype. Key-words: evolution, aesthetics, iconography, creative freedom |
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