AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA THEOLOGIA ORTHODOXA - Issue no. 1 / 2014 | |||||||
Article: |
CHRISTIAN PAINTING IN THE RENAISSANCE. Authors: . |
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Abstract: The present study proposes an investigation into the early period of the Renaissance, presenting a series of elements pertaining to visual composition. Aspects such as the transition from apprenticeship to mastery, the main moments in the education of a future artist, orders and the people commissioning them are discussed in detail. Bringing several compositional grammar issues to the readers’ attention, we have portrayed what can be called ‘the invention of linear perspective in Alberti’s view’. Design patterns dominated by geometric shapes - the circle, the rectangle, the triangle, etc. - give works of art, be they religious or not, a certain dominant and character. At the time, the schools of Florence, Siena, Bruges, Köln and Vienna stand out as environments that foster creativity, as well as the mastery of drawing and painting. Key-words: Quattrocento, Alberti, Leonardo da Vinci, Michelangelo |
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