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    STUDIA THEOLOGIA GRAECO-CATHOLICA VARADIENSIS - Issue no. 2 / 2008  
         
  Article:   THE INVISIBLE TRACE IN THE MODERN PAINTING / LA TRACE DE L’ INVISIBLE DANS LA PEINTURE MODERNE.

Authors:  DANIELA IANOS. 		 
       
         
  Abstract:  The Invisible Trace in the Modern Painting. The painting creates a new way to see the world, the space and the time. Every significant painting keeps the door open to the origin of the spatiality, starts unrepeatable rhythmic modulations, temporary drawings of the world. The painting doesn’t imitate the visible, it “makes visible”. Its origin is the total being, the invisible, which opens in it, symbolised by Malevich in “the white square on the white background”.

Keywords: phenomenology, aesthetics, modern painting, trace of invisible
  
         
     
         
         
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