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    STUDIA PHILOSOPHIA - Issue no. 2 / 2016  
         
  Article:   RETROJECTION OF SUBLIME AND TRANSCENDENTAL LANDSCAPE IN THE NON-SYMBOLIC PHENOMENOLOGY OF MARC RICHIR / LA RÉTROJECTION DU SUBLIME ET LE PAYSAGE TRANSCENDANTAL DANS LA PHÉNOMÉNOLOGIE NON-SYMBOLIQUE DE MARC RICHIR.

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  Abstract:  Retrojection of Sublime and Transcendental Landscape in the Non-Symbolic Phenomenology of Marc Richir. This paper deals with an inquiry of the non-symbolic phenomenology and, more precisely, of the Richirian transcendental landscape considered as a consequence of retrojection of sublime. The landscape questions the use of the three stages of passive synthesis and the transcendental game of qualia in creating a proto-area of phenomenological freedom. To illustrate this transcendental landscape we used for methodological reasons a brief phenomenological analysis of the American Abstract Expressionism represented here by the works of Barnett Newman and Mark Rothko. The issue of the transcendental landscape may resemble to a simulation that reduces itself to a Matrix reality- as authors like Philip Kindred Dick to Nick Bostrom argue.

Keywords: retrojection, sublime, transcendental landscape, non-symbolic phenome¬nology, Matrix, the Simulation Argument
 
         
     
         
         
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