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    STUDIA PHILOLOGIA - Issue no. 4 / 2012  
         
  Article:   A PHOTO CAMERA, A RADIO AND A HIGH-TECH MECHANISM USED TO ERASE MEMORIES, OR HOW TO DECEIVE REALITY IN ROBIN WILLIAMS’ MOVIES.

Authors:  . 		 
       
         
  Abstract:  We build reality whilst transforming it through the means of memory. This is common knowledge. What happens though when we intervene upon memory in a brutal way? When we try to change the past by projecting in it those things we would have liked to happen; when the world in which we live becomes one chance to overcome, through imagination, the closure of a world based on suicide and despair? We chose for this study three movies that we find to be most relevant for the given topic: Jakob the Liar (1999), directed by Peter Kassovitz, the story of a Polish Jew during the Second World War, who manages to save his community with the help of a non-existent radio, One Hour Photo (2002), directed by Mark Romanek, a movie in which a character named Sy Parrish is fantasizing about being the favourite “Uncle Sy” in a family he is obsessed with and The Final Cut (2004), directed by Omar Naim.

Keywords: film, Robin Williams, transformed reality, One Hour Photo, Jakob the Liar, The Final Cut, reflection, ideal. 		 
         
     
         
         
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