AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 4 / 2000 | |||||||
Article: |
ART OR ENTERTAINMENT: SOAP OPERA. Authors: MIHAI MIRCEA ZDRENGHEA. |
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Abstract: Soap operas are both liked and disliked, they have their fans and enemies. For many of their followers they have become a daily drug, like the daily cup of tea. Yet serious critical opinion derides soaps, and their position within television has traditionally been low. However, as a television genre it is more popular than ever, it is television’s bread and butter, and their budgets, casting, and scheduling reflect this. In what follows we will try to examine the elements that make them so popular, and to show how the continuous serial is able to run for years, preserving a basic stability while making enough changes to prevent tedious repetition. | |||||||