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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 1-2 / 2001 | |||||||
Article: |
UNE ANALYSE DES MODALITÉS AU NIVEAU DES QUATRE PREMIÈRES SÉQUENCES DE «VOYAGE AU BOUT DE LA NUIT» DE L.-F. CÉLINE / AN ANALYSIS OF THE MODALITIES IN THE FIRST FOUR SEQUENCES OF "VOYAGE AT THE END OF THE NIGHT" BY L.-F. CÉLINE. Authors: IULIA MATEIU-INDREA. |
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Abstract: An Analysis of the Modalities in the First Four Sequences of "Voyage at the End of the Night" by L.-F. Céline. Céline’s representation of the society, of man — as it appears in his Voyage — is an extremely negative one. The common point of themes such as war, colonialism, industrialisation, capitalism is suffering derived from moral degradation. The analysis of the modalities convoqued by Bardamu’s discourse (cf. the first four sequences dealing with the experience of the war) is supposed to confirm (or invalidate) our hypothesis of a negative axiologic dominant of Céline’s argumentation. | |||||||
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