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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 1 / 2012 | |||||||
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THEATRE AND WORD IN GABRIELE D’ANNUNZIO / THÉÂTRE ET PAROLE CHEZ GABRIELE D’ANNUNZIO. Authors: . |
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Abstract: Theatre and word in Gabriele D’Annunzio. Gabriele D’Annunzio is one of the most famous writers of the Italian literature of the XIXth century and the most representative for the “fin de siècle” artistic phenomenon, known also as the decadentismo. The male characters gallery is the Italian equivalent of French or English dandys, such as Des Esseintes or Dorian Gray. The feminine figures are also contaminated with the vicious “fin de siècle”eroticism. But the reality represented in the novels is often transfigurated into the symbolic. The particularity of D’Annunzio’s writing consists in the practice of the spectacular, not only in the presence of theatre motives but also in the conception of a total work of art, which implies an esthetic participation of the reader, in an almost cathartic experience. Keywords: Italian novel, decadentismo, eroticism, spectacular, symbolism, fin de siècle |
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