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    STUDIA PHILOLOGIA - Issue no. 1 / 2004  
         
  Article:   THE PORTRAIT OF BRITISH COMMUNITY IN ALAN BLEASDALE’S “BOYS FROM THE BLACKSTUFF” AND HANIF KUREISHI’S DRAMATIC WORK.

Authors:  DORIN CHIRA. 		 
       
         
  Abstract:  The present paper is an attempt to prove that the works of the above-mentioned authors are meant as portraits of the underclass or third-world component of the British community; it is centred on issues such as unemployment, racism or ethnicity. However, this does not mean it is restricted to them; in describing one component of a society, one subtextually refers as well to the other member of the relationship, namely the so-called "local community" of English speakers, with their sociologically analysable habits and responses to life stimuli.  
         
     
         
         
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