AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2022 | |||||||
Article: |
AN EVIL LETTER, AND THE DESTINIES OF THE FORGOTTEN PASSACAGLIA. THE TWILIGHT OF THE THIRD SYMPHONY “OVID” BY SIGISMUND TODUȚĂ. Authors: ECATERINA BANCIU. |
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Abstract: DOI: 10.24193/subbmusica.2022.2.04 Published Online: 2022-12-20 Published Print: 2022-12-30 pp. 75-86 VIEW PDF FULL PDF Abstract: The author does not intend to write a booklet about the Symphony No. 3 “Ovid” (1957) by Sigismund Toduță, but rather to complete the missing pieces of its history. Still in 2004, the manuscript of the symphony’s finale was still missing. With its discovery in 2013, research confirmed its uniqueness and originality. Now, in 2022, at the 30th anniversary of the establishment of the Toduță Foundation, we reveal those derogatory remarks that led to the ‘amputated’ publication of the Passacaglia followed by the symphony’s fade into oblivion. All began with a young university assistant from Bucharest who addressed a letter to the only Romanian citizen with a PhD in music (Rome, 1933), the nationally and internationally recognized composer, awarded by George Enescu himself. How did this 28 years old juvenile dare to write to the 51 years old master in such a defamatory tone? If it was part of a political task, whom did it serve? Who had anything to gain by removing from the Romanian musical heritage this remarkable work, composed on the two-millennium anniversary of Ovid’s birth - the adored but banished poet? Would it be fair to respect the composer’s wish and forget this troublesome Passacaglia? Wouldn’t it be a mistake against the creation itself, which once born, deserves publicity? With these questions this paper reconstructs the events, still leaving in the twilight the truth behind the faces of Ovid. Key words: originality, paraphrase, pastiche, restorations, rehabilitations, re-editing |
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