AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2017 | |||||||
Article: |
THE PORTRAIT OF BOYAR MOŢOC IN THE WORK OF COMPOSER GHEORGHE MUSTEA. Authors: LUMINIŢA GUŢANU STOIAN. |
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Abstract: DOI: 10.24193/subbmusica.2017.2.16 Published Online: 2017-12-20 Published Print: 2017-12-30 pp. 225-230 FULL PDF ABSTRACT: The present survey aims at emphasizing Gheorghe Mustea’s ability to create a musical portrait of Boyar Moţoc, in his opera, “Alexandru Lăpuşneanu”. The overall portrait the author creates for this historical figure includes his psychological profile, suggestively presented in three different states, outlined on the relationship between two pillars (cause and effect and premise - consequence). Keywords: Gheorghe Mustea, Alexandru Lăpuşneanu, bessarabian opera, Boyar Moţoc, psychological profile. |
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