AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: SZABOLCS BANDI, SÁNDOR IMRE NAGY, BENCE VAS.
DOI: 10.24193/subbmusica.2017.2.02
Published Online: 2017-12-20
Published Print: 2017-12-30
pp. 27-40
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ABSTRACT:
The aim of the study is to provide a brief introduction to the cultural history of the personality psychological based findings of the musical profession. As we can see, in the different historical areas very wide variety of views appeared, until in the second half of 20th century music psychology, as evidence based empirical discipline formalised these naive theories. The most important findings were that the personality structure of musicians is fundamentally differs from the normal population (1); and the constantly reported higher level of anxiety-related traits in the case of musicians (2). The latter finding highlights the importance of teaching different techniques of mental hygienical interventions during the music teacher training courses in order to avoid psychopathological symptomatizing and the short-term burn-out of career entrant teachers.
Keywords: musical personality, anxiety, performance, music, psychology.
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