AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA MUSICA - Issue no. 2 / 2015 | |||||||
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THE IMPORTANCE AND SPECIFICS OF THE VOCAL-CHORAL ANALYSIS IN A CHORAL WORK. Authors: . |
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Abstract: In the survey “The Complexity and Specifics of Choral Art”, I have discussed about the three stages a conductor undertakes in the process of discovering and studying a choral work. These three stages are: SMA - the syntactical- morphological analysis of the work, VCA - the vocal-choral analysis and MC - the mental concept (MTC and MIC). In this study, we set out to present the second stage, the vocal-choral analysis (VCA), in a detailed approach. The choral piece I have used in making this analysis is “Mă luai, luai” by Tudor Jarda. Keywords: The Vocal-Choral Analysis of the work (Stg II – VCA), analysis of the musical work, individual study, choral work |
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