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    STUDIA MUSICA - Issue no. 2 / 2015  
         
  Article:   MAURICE RAVEL: PIANO CONCERTO IN G-DUR) (ANALYSIS OF THE SECOND PART) / MAURICE RAVEL: KLAVIERKONZERT IN G-DUR (ANALYSE DES ZWEITEN SATZES „ADAGIO ASSAI”).

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  Abstract:  In the first part consists of the origins as well as the afterlife of the piece. Ravel worked on his two piano concertos (G-major and D-major) at the same time starting in 1929. Ravel himself intended to premiere the piece; finally Marguerite Long played it due to the composers’ lack of pianistic technique. The second part is an analysis of the second movement of the concerto. A formal and harmonic analysis is being followed by the orchestral analysis and an explanation to the piano solo.

Keywords: Ravel, Piano-concerto, analysis 		 
         
     
         
         
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