The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.

  
       
         
    STUDIA MUSICA - Issue no. 2 / 2015  
         
  Article:   CÉSAR FRANCK’S MUSICAL CONCEPTION AND COMPOSITIONAL STYLE IN HIS ORCHESTRAL AND INSTRUMENTAL WORKS OF HIS LAST CREATIVE YEARS / MUSIKALISCHE KONZEPTION UND KOMPOSITIONSSTIL VON CÉSAR FRANCK IN DEN ORCHESTRALEN UND INSTRUMENTALEN WERKEN SEINER LETZTEN SCHAFFENSJAHRE.

Authors:  . 		 
       
         
  Abstract:  This paper presents the importance of César Franck’s oeuvre through the three periods of his creation, and focuses on the works of his final years, in special on the instrumental and orchestral compositions of the third period. The musical analysis proposes to identify and exemplify a few of the procedures and compositional techniques of César Franck, which define the – on the one hand – the “classical” forms and structure, and – on the other hand – the innovative melodic and harmonic aspects of the musical discourse.

Keywords: César Franck, romantism, the three periods of Franck’s creation, late works, forms, cyclical procedures, innovative harmonic aspects, style, componistic procedures, analysis. 		 
         
     
         
         
      Back to previous page