STUDIA UNIVERSITATIS

The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

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STUDIA MUSICA - Issue no. 1 / 2019

Article:

STYLISTIC ASPECTS REFLECTED IN MODAL LITURGY BY DAN VOICULESCU.

Authors: ELENA-LAURA GREAVU, ROXANA PEPELEA.

Abstract:

The Liturgy represents for the Christian-Orthodox community the moment with the most significance in the church services. As a musical genre, it is approached by a number of Romanian composers, especially after 1989, the year of the establishment of democracy in Romania. Among the creators who approach this genre is Dan Voiculescu, who composed Modal Liturgy for equal voices in 1996 and was dedicated to Sigismund Toduţă. Our paper analyses this composition which is based on modal-diatonic writing, harmonic-polyphonic arrangements with a modal shade alternating with passages in unison, and in which melodic constructions depart from the model of Palestrina’s polyphonic writing.

Keywords: Composer Dan Voiculescu, religious, modal liturgy, polyphony.

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	The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.


	STUDIA MUSICA - Issue no. 1 / 2019

	Article:	STYLISTIC ASPECTS REFLECTED IN MODAL LITURGY BY DAN VOICULESCU. Authors: ELENA-LAURA GREAVU, ROXANA PEPELEA.


	Abstract: The Liturgy represents for the Christian-Orthodox community the moment with the most significance in the church services. As a musical genre, it is approached by a number of Romanian composers, especially after 1989, the year of the establishment of democracy in Romania. Among the creators who approach this genre is Dan Voiculescu, who composed Modal Liturgy for equal voices in 1996 and was dedicated to Sigismund Toduţă. Our paper analyses this composition which is based on modal-diatonic writing, harmonic-polyphonic arrangements with a modal shade alternating with passages in unison, and in which melodic constructions depart from the model of Palestrina’s polyphonic writing. Keywords: Composer Dan Voiculescu, religious, modal liturgy, polyphony.




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