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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2018 | |||||||
Article: |
THE THEME OF THE PRODIGAL SON’S RETURN IN CLASSICAL MUSIC I: CLAUDE DEBUSSY. Authors: PETRUŢA-MARIA COROIU. |
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Abstract: The
34th Sunday after the Pentecost is one of the most important in the liturgical
cycle of the Christian Orthodox Church, because it is the second Sunday of the
Triodion. In connection to this topic, so profound and rich in theological,
moral, musical, and human implications, we investigated areas of interest in
the history of the classical music of the past three centuries in search for
guiding points to approach this topic. The work signed by Claude Debussy is the best
known and most valuable of those presented, which is why we think it is
necessary to focus on it from an analytical point of view. Keywords: pray, Triodion, impressionism, religion, faith
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