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    STUDIA EUROPAEA - Issue no. 3 / 2010  
         
  Article:   THE PERCEPTIVE PHANTASIA IN HUSSERL AND THE THEATER EXPERIENCE. ELEMENTS FOR A PHENOMENOLOGY OF THE AUDIENCE’S AND THE ACTOR’S ACTS OF CONSCIOUSNESS / LA PHANTASIA PERCEPTIVE CHEZ HUSSERL ET DANS L’EXPERIENCE THEATRALE. ELÉMENTS POUR UNE PHÉNOMENOLOGIE DES VÉCUS DE CONSCIENCE DU SPECTATEUR ET DE L’ACTEUR.

Authors:  RALUCA MOCAN. 		 
       
         
  Abstract:  The dramatic play sets a challenge to Husserl’s theory of imagination and its connection to perceptive experience. What takes place on stage in front of the audience is both the effective reality and the happening of a fictional story. In this paper, we are interested in the extension of the phenomenology of experience to a world of mere fictions. By analyzing a few chosen texts from the volume XXIII of Husserliana, we shall put the eidetics of imagination to the test of the dramatic experience of the audience and raise the problem of the actor’s play and its paradox.

Keywords: Husserl, imagination, experience, theatre, phenomenology 

 
         
     
         
         
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