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	STUDIA DRAMATICA - Issue no. 2 / 2011

	Article:	COGNITIVE SCIENCES: NEW PERSPECTIVES FOR THE ACTOR. Authors: FILIP ODANGIU.


	Abstract: The application of meta-cognitive strategies in the actor’s training is a consequence of the contacts of theatre researchers with contemporary cognitive sciences. This article intends to emphasize two of the issues discussed in studies “at the border” between theatre and neurosciences: the psyche-body dichotomy and the process of loss, respectively, of retrieval of the self during the actor’s training. Keywords: outside in stage play, neurosciences, derealization, mind-body unit, absent body, soft focus




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