AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: WILLEM DE BLÉCOURT.
DOI: 10.24193/subbdrama.2020.1.11
Published Online: 2020-03-30
Published Print: 2020-03-30
pp. 227-244
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This article examines the contradiction between shallowness and silliness in the television series Chilling Adventures of Sabrina from the perspective of creative piracy. I argue that the show adopted the superficiality of the 1960s comics. Despite substantial hijacking of elements from series like Buffy the Vampire Slayer or a movie Something Wicked This Way Comes the writers failed to lift this new Sabrina to a better quality. The borrowed elements simply made it more chaotic.
Keywords: Sabrina Spellman, witchcraft, ChAoS series, sources, Buffy, the Vampire Slayer, cultural borrowings.
