AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2012 | |||||||
Article: |
TADEUSZ KANTOR AND YOUNG ROMANIAN AUDIENCES / TADEUSZ KANTOR ET LE JEUNE PUBLIC ROUMAIN. Authors: EUGEN WOHL. |
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Abstract: The following material has a double purpose: on the one hand, it briefly describes the events which allowed Polish theatre works to be known to Romanian audiences and, on the other, it presents the result of a writing exercise, conducted with students, alumni and collaborators of the Faculty of Theatre and Television from the Babeş-Bolyai University of Cluj. Based on a short questionnaire specially designed to allow participants to share their impressions on Tadeusz Kantor’s works, the purpose of this “experiment” was to see whether Tadeusz Kantor’s artistic work appeals to young audiences from Romania, a country in which the Polish artist’s legacy is still widely unknown. Keywords: Tadeusz Kantor, Cricot 2, Theatre of Death, Romanian reception, audience response. |
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