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    STUDIA DRAMATICA - Issue no. 1 / 2011  
         
  Article:   THEATRICALITY AND DISTANCE IN JON FOSSE’S A SUMMER’S DAY / THEATRALITE ET DISTANCE DANS UN JOUR EN ETE DE JON FOSSE.

Authors:  DARIA IOAN.
 
       
         
  Abstract:  Jon Fosse’s A Summer’s Day theatrical substance relays on a complex poetic system which consists of three main dramatic processes: abstraction, repetition and variation. Mostly interested by the structures of language, Fosse offers to his public a theater built on the creation and manipulation of distances. His space poetics imply a series of estrangement and approach actions, modulating the physical configurations on the stage. The tension procured by any movement of halving is present at all text’s levels. The object of this study refers to the possible distinctions to be made between different dynamics of distances in A Summer’s Day written coding and their theatricality.

Keywords: Distance, theatricality, inner dramatization, spoken and quiet space, poetics of structures
 
         
     
         
         
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