AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
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STUDIA MUSICA - Ediţia nr.2 din 2010 | |||||||
Articol: |
JOCURI DE PIAN DE EDUARD TERÉNYI, UN REPER ÎNTRE INOVAŢIILE SEMIOGRAFICE ALE SECOLULUI XX / PIANO GAMES BY EDUARD TERÉNYI, A LANDMARK AMONG THE SEMEIOGRAPHIC INNOVATIONS OF THE 20TH CENTURY. Autori: . |
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Rezumat: The piano creation of the composer Eduard Terényi sums up the composing experiences that are derived from successive conceptual accumulations that are enlisted in the complex process of the transformations and makings of the artistic language of the twentieth century music. The novelty of his musical works comes in this way through a total reviewing of the way of organizing of the sonorous substance where frequently the sonorous parameters seems to be freed by the rigours of the traditional conventions. The innovative attitude both in a semi graphic area and also into the depths of the sonorous view prove that the author prefigures a composing trajectory from the modernism and not from the tradition that explains why the tools that he uses to operate on are, in many respects a surprise. Keywords: piano, semeiography, sonorous parameters, effects, improvisation |
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