AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI
În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului.
Autori: ION INDOLEAN.
DOI: 10.24193/subbdrama.2017.2.09
Published Online: 2017-10-31
Published Print: 2017-10-31
pp. 161-171
VIEW PDF: THE EVOLUTION OF THE MILICIER FILM GENRE IN COMMUNIST ROMANIA
In order to observe the manner in which the image of the Romanian militiaman is perpetuated throughout the movies produced during Nicolae Ceauşescu’s regime (1965-1989) we will analyze the most important detective films of that period. This will allow us to recognize a series of characterological and professional attributes present in the protagonists of these narratives which claimed to have come from reality. All of these heroes are shrewd, tenacious and well-intentioned because the official propaganda wanted to deliver a certain beautified image of the Romanian agent, about whom these films suggested having the mental and physical capabilities to be successful against any kind of villain and therefore being able to protect his country with a great sense of duty and commitment.
Keywords: Cultural politics, Film, Nicolae Ceauşescu, Communism, Espionage, Industry, Censorship, Propaganda.
References
Alexandrescu, Mircea. “Să vorbim cu durere despre comedie”, review of B.D. la munte şi la mare by Nicolae Țic, Mircea Drăgan, directed by Mircea Drăgan, Studioul Cinematografic Bucureşti, Buftea, premiered on December 20, 1971. Cinema, January 1972.
Boldea, Iulian. “Cenzura şi teatrul”, Apostrof, October 2009.
Burakowski, Adam. Dictatura lui Nicolae Ceauşescu 1965-1989. Iaşi: Polirom, 2016.
Comşa, Dan. “Cercul magic”, review of Cercul Magic by Nicolae Mărgeanu, Cora Vulcănescu, directed by David Reu, Casa de filme Patru, 1975. Cinema, August 1975.
Pivniceru, Constantin. Amintiri din actualitate. 50 de ani de cinematografie în România. Bucureşti: Tritonic, 2012.
Shelley, Louise. Policing Soviet Society: The Evolution of State Control. New York: Routledge, 1996.
Șercan, Emilia. Cultul secretului. Mecanismele cenzurii în presa comunistă. Iaşi: Polirom, 2015.
Suchianu, Dumitru. Ion, “B.D. la munte şi la mare”, review of B.D. la munte şi la mare by Nicolae Țic, Mircea Drăgan, directed by Mircea Drăgan, Studioul Cinematografic Bucureşti, Buftea, premiered on December 20, 1971. România literară, January 13, 1972.
