Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.1 / 2009 - Table of contents
     
     
 
1.  THE RHETORIC OF BARTÓK’S MELODIC WORLD.
          Authors: ISTVÁN ANGI.


2.  THE THEME OF THE ENDLESS COLUMN IN THE WORKS OF CONSTANTIN BRÂNCUŞI AND TIBERIU OLÁH.
          Authors: ADÉL FEKETE.


3.  THE ROLE OF THE POPULAR TRADITION IN THE DEVELOPMENT OF MELODIES WITHIN THE SONGS OF TRANSYLVANIAN REFORMED COMMUNITIES.
          Authors: ÉVA PÉTER.


4.  THE BYZANTINE CHANT IN THE ROMANIAN PRINCIPALITIES DURING THE PHANARIOT PERIOD (1711 – 1821).
          Authors: NICOLAE GHEORGHIŢĂ.


5.  THE MUSIC OF FULFILLED LOVES IN THE BAROQUE AND CLASSICAL ART.
          Authors: PETRUŢA-MARIA MĂNIUŢ.


6.  THE INTERPRETATIVE ANALYSIS OF THE SPIRITUS DOMINI INTROIT.
          Authors: ANDRÁS VÁNYOLOS.


7.  REGIONAL DIFFERENCES IN THE DISTRIBUTION OF THE EARLY AND DEVELOPED NEW STYLE OF THE HUNGARIAN FOLK MUSIC IN TRANSYLVANIA / ZEITLICHE UND REGIONALE UNTERSCHIEDE IN DER VERBREITUNG DES NEUEN STILS DER UNGARISCHEN VOLKSMUSIK IN SIEBENBÜRGEN.
          Authors: ISTVÁN ALMÁSI.


8.  CELEBRATING CHRISTMAS IN BOZIEŞ (MAGYARBORZÁS) AND VIŢA (VICE).
          Authors: ZOLTÁN GERGELY.


9.  IAC: AN INTERACTIVE MUSIC SYSTEM.
          Authors: ADRIAN BORZA.


10.  CINEMA MUSIC IN THE SILENT MOVIE ERA.
          Authors: AARON FAZAKAS.


11.  TEACHING SPIRITUAL MUSIC AND THE ROLE OF CHORAL ACTIVITY IN RELIGIOUS EDUCATION.
          Authors: ÁRPÁD SZÉKELY.


12.  THE HERZLICH TUT MICH VERLANGEN CHORALE WITHIN DIFFERENT ORGAN ARRANGEMENTS IN BUXTEHUDE AND BACH’S WORKS.
          Authors: CSILLA SÓGOR.


13.  SOME ASPECTS OF VERTICAL TYPOLOGIES IN THE LAST STRING QUARTET OF W. A. MOZART, KV 590, F MAJOR.
          Authors: ATTILA FODOR.


14.  GIUSEPPE VERDI’S MACBETH – PART I.
          Authors: JÚLIA KÖPECZI-KIRKÓSA.


15.  CHARLES MARIE WIDOR’S GOTHIQUE AND ROMANE SYMPHONIES – THE SPIRITUAL STATEMENTS OF A GRAND COMPOSER.
          Authors: NOÉMI BOGNÁR.


16.  GYÖRGY LIGETI’S SECOND STRING QUARTET: BIOGRAPHICAL INFLUENCES AND NEW TECHNIQUES.
          Authors: TUDOR FERARU.


17.  THE BROKEN LINEARITY IN THE OPERA LAST DAYS, LAST HOURS BY ANATOL VIERU / LINÉARITÉ ROMPUE DANS L’OPÉRA « SABLIER » DERNIÈRS JOURS, DERNIÈRES HEURES D’ANATOL VIERU.
          Authors: LUANA STAN.


18.  PSALM BY THE RIVERS OF BABYLON AS PART OF SIGISMUND TODUŢĂʼS CHORAL OUTPUT.
          Authors: STELIAN IONAŞCU.


19.  EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”).
          Authors: GABRIELA COCA.


20.  EDUARD TERÉNYI’S STABAT MATER.
          Authors: ANAMARIA MĂDĂLINA HOTORAN.


 
     
 
 
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