Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.2 / 2021 - Table of contents
     
     
 
1.  ADRIAN POP - IN SEARCH OF A LONG LOST SMILE.
          Authors: ECATERINA BANCIU.


2.  “DON’T LET ME GO”. A CASE STUDY ON MUSIC THERAPY IN EARLY-STAGE DEMENTIA.
          Authors: LOIS VĂDUVA, CATHERINE WARNER.


3.  DIGITAL TRANSFORMATION TRENDS IN MUSIC TEACHING AND TRAINING SYSTEMS.
          Authors: BENCE ASZTALOS.


4.  STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION.
          Authors: NATALIYA GOVORUKHINA, TETIANA SMYRNOVA, IRYNA POLSKA, IRYNA SUKHLENKO, GANNA SAVELIEVA.


5.  GOLDEN ERA OF BAROQUE DANCE.
          Authors: ALINA BERCU.


6.  THE EVOLUTION OF ITALIAN MELODRAMA: FROM DONIZETTI TO VERDI.
          Authors: EDITH GEORGIANA ADETU, PETRUȚA MARIA COROIU.


7.  FEATURES OF IRISH DANCE MUSIC.
          Authors: ALEXANDRA BELIBOU.


8.  INDIAN CULTURE AND MUSIC AS A SOURCE OF INSPIRATION FOR FRENCH OPERA COMPOSERS.
          Authors: NOÉMI KARÁCSONY, MĂDĂLINA DANA RUCSANDA.


9.  FRIENDSHIP OF WELL-KNOWN AND UNDESERVEDLY FORGOTTEN MASTERS IN LATE 19TH AND EARLY 20TH CENTURY RUSSIAN PIANO MUSIC. THE LIFE AND WORK OF MEDTNER, RACHMANINOFF, AND SCRIABIN.
          Authors: ESZTER SZABÓ.


10.  RETROSPECTIVE REVIEW OF THE DEVELOPMENT OF THE CONCEPTS OF CONSONANCE AND DISSONANCE: ON THE PROBLEM OF MUSICAL AND AESTHETIC AS WELL AS PHYSICAL AND MATHEMATICAL INTERPRETATION.
          Authors: NATALIIA BIELIAVINA, VOLODYMYR BIELIAVIN.


11.  SYNCRETIC TRENDS IN CONTEMPORARY WESTERN EUROPEAN VOCAL AND CHORAL ART: THE CHALLENGE OF TODAY.
          Authors: NATALIA GREBENUK, OLENA BATOVSKA, YANA KYRYLENKO, TAMARA TESLER, RAFAIL HASANOV.


12.  REGIETHEATER – THE BIG CHALLENGE FOR THE OPERA OF OUR TIMES.
          Authors: CRISTINA RADU-GIURGIU.


13.  GENRE HYBRIDS IN THE SYMPHONICAL CREATIVITY OF YE. PETRYCHENKO AS A REFLECTION OF TIME TRENDS.
          Authors: MARYNA VARAKUTA, DARYNA KUPINA, MARYNA VOTINTSEVA.


14.  THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY.
          Authors: DIANA TODEA-SAHLEAN.


15.  J. G. TROMLITZ’S ARTICULATORY PHONETICS IN FLUTE SOUND FORMATION.
          Authors: VOLODYMYR KACHMARCHYK, NATALIIA KACHMARCHYK.


16.  BREATHING TECHNIQUES IN THE PARIS SINGING TREATISE (MÉTHODE DE CHANT, PARIS, 1803).
          Authors: ANCA SIMILAR.


17.  THE ROLE OF FACIAL EXPRESSIONS IN THE ART OF MUSICAL CONDUCTING.
          Authors: AUREL MURARU.


18.  THE ROLE OF THE HUNGARIAN ROMAN CATHOLIC CHURCH COMMUNITY SONG IN THE TRANSFORMATION PROCESS OF THE ARMENIAN LITURGICAL REPERTOIRE IN TRANSYLVANIA.
          Authors: ÁGOTA BODURIAN, STELA DRĂGULIN.


19.  JENŐ ÁDÁM’S CHURCH MUSIC COMPOSITIONS.
          Authors: ÉVA PÉTER.


20.  THE OLD STYLE SONG IN THE LAND OF THE FORESTERS, HUNEDOARA. MELODIC TYPES WITH REFRAIN RESULTED FROM MELODIC INTERJECTIONS.
          Authors: ALINA-LUCIA STAN.


21.  THE “FATALITY” MOTIF – A DEFINING ELEMENT IN THE MUSICAL DRAMATURGY OF THE OPERA CARMEN BY GEORGES BIZET.
          Authors: ADELA BIHARI.


22.  THE “WILD BEAUTY” OF BRAHMS’S RHAPSODIES, OP. 79. STRUCTURAL ANALYSIS AND COMPARATIVE ANALYSIS OF PERFORMANCES.
          Authors: SEBASTIAN SHWAN, STELA DRĂGULIN.


23.  THE POLONAISE IN FRÉDÉRIC CHOPIN’S WORKS. ANDANTE SPIANATO AND THE GRANDE POLONAISE BRILLANTE OP.22.
          Authors: LIOARA FRĂȚILĂ.


24.  MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS).
          Authors: GABRIELA COCA.


25.  BOOK REVIEW: RECONFIGURING MUSICAL CULTURES IN CENTRAL AND SOUTHEASTERN EUROPE.
          Authors: BELINDA ROBINSON.


  
     
 
 
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