1.  THE MORPHOLOGY OF THE SPECTATOR (1).

          Authors: MIRUNA RUNCAN.

2.  THE LEGISLATION OF FREEDOM OF INFORMATION.

          Authors: MIRUNA RUNCAN.

3.  THE MORPHOLOGY OF THE SPECTATOR (2) REINVENTING THE PLAYWRITING IN ROMANIA 2000: REINVENTING AUDIENCES?.

          Authors: MIRUNA RUNCAN.

4.  BOOK, PERFORMANCE & FILM REVIEWS: HYBRIS AND IDENTITY: MIDDSUMMER’S NIGHT DREAM.

          Authors: MIRUNA RUNCAN.

5.  BOOK, PERFORMANCE & FILM REVIEWS: PERFORMING LITERATURES INTERNATIONAL CONFERENCE, CIRTT, UNIVERSITY OF LEEDS.

          Authors: MIRUNA RUNCAN.

6.  THE UNDERGROUND PARADISE OF THE 60S .

          Authors: MIRUNA RUNCAN.

7.  BOOK, PERFORMANCE & FILM REVIEWS: THE DEAD PERFORMANCE, THE CAPTIVE SPECTATOR AND THE FREEDOM OF (NOT) GOING TO THEATRE.

          Authors: MIRUNA RUNCAN.

8.  EVERYDAY LIFE DRAMA: AN INTERDISCIPLINARY PROJECT IN PROGRESS.

          Authors: C.C. BURICEA-MLINARCIC, MIRUNA RUNCAN.

9.  “FATE IS NEVER FINAL?” WHY MOVIES RE-ENACT RPG EXPERIENCES.

          Authors: MIRUNA RUNCAN.

10.  IMMIGRATION AS A CULTURAL INVESTMENT.

          Authors: MIRUNA RUNCAN.

11.  SPECTATORSHIP: FROM EVERYDAY LIFE DRAMA TO THEATRICALITY (1).

          Authors: MIRUNA RUNCAN.

12.  CHRONICLES, REVIEWS: THE CORRIDOR, THE GIRDER AND THE RE-READING EXPERIMENT.

          Authors: MIRUNA RUNCAN.

13.  CHRONICLES, REVIEWS: OLIVER SACKS, THE MAN WHO MISTOOK HIS WIFE FOR A HAT.

          Authors: MIRUNA RUNCAN.

14.  CHRONICLES, REVIEWS: DIANA COZMA, THE PLAYWRIGHT – PRACTITIONER.

          Authors: MIRUNA RUNCAN.

15.  CHRONICLES, REVIEWS: MILENA DELEVA, THE STRUCTURE OF THE TECHBOLOGICAL PARK. BULGARIA. CASE STUDY.

          Authors: MIRUNA RUNCAN.

16.  CHRONICLES, REVIEWS: DAVID ZINDER, BODY-VOICE–IMAGINATION. A TRAINING FOR THE ACTOR.

          Authors: MIRUNA RUNCAN.

17.  CHRONICLES, REVIEWS: MARIANNE MCDONALDS, SING SORROW: CLASSICS, HISTORY, AND HEROINES IN OPERA.

          Authors: MIRUNA RUNCAN.

18.  CHRONICLES, REVIEWS: CARIDAD SVICH, TRANS-GLOBAL READINGS. CROSSING THEATRICAL BOUNDARIES.

          Authors: MIRUNA RUNCAN.

19.  THE HUMAN TOUCH – ON THE EVOLUTION OF THE SOCIALLY ENGAGED THEATRE .

          Authors: MIRUNA RUNCAN.

20.  STRATEGIES FOR THE EMBODIMENT AND DISEMBODIMENT OF SPECTATORSHIP: DON’T CRY BABY AND HOTEL BY EUGEN JEBELEANU.

          Authors: MIRUNA RUNCAN.

21.  BOOK REVIEW - INDEPENDENT… FROM WHOM? INDEPENDENT... FROM WHAT? ABOUT INDEPENDENCE AS PROCEDURE.

          Authors: MIRUNA RUNCAN.

22.  ARGUMENTS FOR A HISTORICAL EXAMINATION OF THE DISCOURSE OF THEATRE AND FILM CRITICISM .

          Authors: MIRUNA RUNCAN.

23.  THE CORONATION OF “THE ACCOMPANYING COMRADE” SICĂ ALEXANDRESCU – A CASE STUDY.

          Authors: MIRUNA RUNCAN.

24.  “I’VE ALWAYS BELIEVED THAT A CRITICAL SPIRIT COMES WITH CREATIVE FEATURES” - INTERVIEW WITH CRISTINA MODREANU, THEATRE CRITIC, CURATOR, EDITOR IN CHIEF OF SCENA.RO MAGAZINE.

          Authors: MIRUNA RUNCAN.

25.  BOOK REVIEW - NEW DRAMATIC STRUCTURES, NEGOTIABLE IMAGINARY SPACES. ON ASSUMING THE EXPERIMENTAL CONDITION.

          Authors: MIRUNA RUNCAN.

26.  ROMANIAN THEATRE AS PUBLIC SERVICE. A CRITICAL PERSPECTIVE OF THE LAST DECADES.

          Authors: MIRUNA RUNCAN.

27.  THE RHETORICAL AND STYLISTIC EVOLUTION OF THEATRE REVIEWS AT THE END OF THE 50S. THE DISOBEDIENT – CASE STUDY.

          Authors: MIRUNA RUNCAN.

28.  SOCIOLOGY AND THEATRE, A TOO SHORT BEGINNING. PAVEL CÂMPEANU’S STUDIES.

          Authors: MIRUNA RUNCAN.

29.  TEATRUL JOURNAL, BETWEEN NORMS AND EMANCIPATION. THE YEARS OF THE THAW AND THOSE OF THE NEW FREEZE.

          Authors: MIRUNA RUNCAN.

30.  RESISTANCE THROUGH CULTURE. SATIRICAL STUDENT GROUPS OF THE LAST DECADE OF COMMUNISM AND THE SILENCE OF THEATRE CRITICS.

          Authors: MIRUNA RUNCAN.

31.  THE ACTIVE ARCHIVE: INTERVIEW WITH FILM CRITIC ANDREI RUS.

          Authors: MIRUNA RUNCAN.