AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: CRISTINA PETRESCU.
DOI: 10.24193/subbphilo.2017.4.16
Published Online: 2017-12-15
Published Print: 2017-12-29
pp. 199-210
FULL PDF
Reflexions of jazz in Portuguese literature. Portuguese literature has often intoned the hymn to liberty rewritten under innumerable forms by jazz music. André Shan Lima, Jorge de Sena, Almada Negreiros, Natália Correia, Levi Condinho, Manuel de Freitas and Adolfo Casais Monteiro have drawn upon the ambiguous resonance of jazz in order to appropriate the art of the unpredictable. António Ferro descried, between the electrifying sounds of the jazzband, “the voltaic arch of the universe”. Lídia Jorge built in her romance “A Noite das Mulheres Cantoras” the empire of the everlasting present. Francisco Duarte Azevedo bemoaned, in “O Trompete de Miles Davis”, the impossibility of forgetting jazz, which is as pervasive as nicotine, and João Tordo turned “O Ano Sabático” into an identity labyrinth inhabited by the mythical indetermination of jazz. We can thus assert that Portuguese literature has entirely assimilated the kaleidoscopic game of possibilities inherent in jazz music.
Keywords: jazz, liberty, time, space, identity.
Referências bibliográficas:
Azevedo, F.D. (2010). O Trompete de Miles Davis. Lisboa: Planeta Manuscrito.
Cesariny, M. (1998). “You Are Welcome to Elsinore”. In Cuadrado, Perfecto E. (org.). A Única Real Tradição Viva. Lisboa: Assírio & Alvim.
Condinho, L., (2008). O Velho Amor. Disponível online.
Cortázar, J. (1991). Rayuela. Madrid: CSIC-Archivos.
Crane, H. (1965). The Letters of Hart Crane, 1916-1932. Ed. Brom Weber. Berkely: University of California Publishing.
Duarte, J. & Alves, R.A. (eds.). (2004). Poezz. Jazz na Poesia em Língua Portuguesa. Coimbra: Almedina.
Feinstein, S. & Komunyakaa, Y. (eds.). (1991). The Jazz Poetry Anthology. Bloomington: Indiana University Press.
Fenstein S., (1997). Jazz Poetry: From the 1920 to the Present. Westport: Greenwood Press.
Freitas, Manuel de. (2003). Büchlein für Johann Sebastian Bach. Lisboa: Assírio & Alvim.
Grandt, J.E. (2004), Kinds of Blue. The Jazz Aesthetic in African American Narrative. Columbus : The Ohio State University Press.
Jarrett, M. (1999). Drifting on a Read: Jazz as a Model for Writing. New York: State University of New York Press.
Jorge, L. (2012). A Noite das Mulheres Cantoras. São Paulo: Leya.
Lindsay, V. (1984). The Poetry of Vachel Lindsay, Vol. I, Dennis Camp. Peoria, Spoon River Poetry Press.
Martins, M. (1998). Jazz e Literatura. Porto: Campo das Letras.
Simawe, S.A. (ed.). (2000). Black Orpheus. Music in African American Fiction from the Harlem Renaissance to Toni Morrison. New York & London : Garl & Publishing, Inc.
Tordo, J. (2012). O Ano Sabático. Lisboa: D. Quixote.
Whaley, P. (2004). Blows Like a Horn. Massachussets: Harvard University Press.
Yaffe, D. (2005). Fascinating Rhythm: Reading Jazz in American Writing. New Jersey: Princeton University Press.
