AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: CATARINA FIRMO.
DOI: 10.24193/subbphilo.2017.4.13
Published Online: 2017-12-15
Published Print: 2017-12-29
pp. 159-170
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Landscapes evoked in Marguerite Duras’ e Sophia de Mello Breyner Andresen’s works. In her novels, dramatic and cinematographic works, Marguerite Duras places us in a crossroad of contemplations, build with memories. The symbolic elements evoked are articulated in harmony with the remembered real landscape. In Sophia, to see and to remember are synonymic forms. Each detail of the landscape is signed and carefully placed in the space and in the time of the memory that is weaved. In this essay we propose to compare the writings of Marguerite Duras and Sophia de Mello Breyner Andresen signalizing the way how those authors invite us to an exercise of contemplation, evocating landscapes and memories.
Key-words: Memory, contemplation, wandering, landscape, temporality.
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