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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 4 / 2008 | |||||||
Article: |
LA BEAUTÉ EN ÉTAT D’AVENTURE DANS LA VIE ET LA MORT D’ADRIA ET DE SES ENFANTS DE MASSIMO BONTEMPELLI / BEAUTY AS ADVENTURE IN MASSIMO BONTEMPELLI’S VITA E MORTE DI ADRIA E DI SUOI FIGLI. Authors: AURORA MANUELA BĂGIAG. |
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Abstract: Beauty as Adventure in Massimo Bontempelli’s Vita e morte di Adria e di suoi figli. The novel Vita e morte di Adria e di suoi figli, published in 1930 by the Italian writer Massimo Bontempelli turns the aestheticising story of the feminine obsession of unchanging beauty into a modern myth. Object of an ambivalent process of petrification and volatilization, Adria converts the narrative discourse itself into a laborious attempt to catch the untouchable, the aetheral essence. A metaphor of the modern work of art which escapes the incidence of its own creator in order to become a universe on its own, the protagonist is an emblem of the confrontation of two different aesthetic ways: the decadent "ottocento" literature and the "novecento" adventure novel. The bontempellian novel develops the invariants of the novecento art, specially the idea of objectifying space and time, of settling a restoring centre of the universe and of the existence of the individual as well; the poetics of the magical realism with a view to the intermingling of everyday routine and the background mystery; the aesthetics of the game as an adventure of the unpredictable in the fictional field. Keywords: adventure, modern myth, petrifying of beauty, novecento novel, objective/subjective time and space |
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