AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: THÉA PICQUET.
DOI: 10.24193/subbphilo.2020.2.16
Published Online: 2020-05-10
Published Print: 2020-06-29
pp. 235-250
FULL PDF
Between Text and Stage: Acting in Italian Renaissance Comedy Leone de’ Sommi, Quattro dialoghi in materia di rappresentazioni sceniche. In his treatise, Quattro dialoghi in materia di rappresentazioni sceniche, Leone de’ Sommi gives the earliest indications of his time on comedy acting and staging. Our purpose is to analyze the relationship between text and stage in order to set into relief what pertains to acting. After a brief presentation of the author, we’ll focus on the text and its many transformations, the date when it was written as well as its structure. We’ll then proceed with the advice given to the actors, to the stage director, the importance of the setting and of lights. Finally, we’ll insist on the historical significance of the treatise and emphasize it innovative nature.
Keywords: Drama, Comedy, Italian Renaissance, Mantova.
