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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2019 | |||||||
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COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES PART II – CONTINUE FROM PREVIOUS ISSUE. Authors: TÍMEA SZILVESZTER. |
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Abstract: DOI: 10.24193/subbmusica.2019.2.09 Published Online: 2019-12-10 Published Print: 2019-12-20 pp. 161-188 VIEW PDF: FULL PDF Music History holds John Field as the creator of the nocturne genre. The purpose of this work is to reveal the formal, tonal and stylistic features that prove the influence of the Irish composer on Fryderyk Chopin’s compositions of the same genre. Keywords:John Field, Fryderyk Chopin, nocturne, formal structure, tonality, ornaments |
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