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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2012 | |||||||
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FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM. Authors: . |
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Abstract: The role of music in Romanticism became crucial precisely due to the mysterious and inexplicable effect it had over the human being. This era was one of the richest and most prolific ones in the entire history of music. Most musicians of that age possessed a vast cultural background, often being poets, composers and performers at the same time. Composer Franz Schubert reunites his art the subtle text interpretation with the melodic, purely musical ideal of shaping melody. By way of the lyrical tone of his melodies, he is considered to be one of the most talented composers of the 19th century. Although he died at a very young age, he left behind a great artistic legacy. Keywords: Romanticism, conveyance of emotions, musical freedom, rich style, Franz Schubert |
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