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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2012 | |||||||
Article: |
IDENTITARY FRUSTRATIONS. SOME IDEAS OF THE COMPOSER MIHAI MITREA-CELARIANU ABOUT THE ROMANIAN MUSIC / LA FRUSTRATION IDENTITAIRE. QUELQUES IDÉES DE MIHAI MITREA-CELARIANU SUR L’ÉCOLE ROUMAINE DE COMPOSITION. Authors: LUANA STAN. |
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Abstract: Mihai Mitrea-Celarianu was a French-Romanian composer. Born in Bucarest in 1935, after the arrival of the communist regime, he was forced to leave the country and he installed himself in Paris, where he died in 2003. His way of writing music was largely influenced by the modern western music, the New Cinema and the New Novel (Alain Robbe-Grillet, Alain Resnais), the serialism, Karlheinz Stockhausen and the dreams theory. After the Romanian revolution (1989), many composers tried to express their point of view about the existence or the absence of a “Romanian music school” and so often, their opinion was influenced by their own situation as expatriate people in different occidental countries. This interview was taken in Paris, on the 14th of December, 1999. Keywords: Mihai-Mitrea-Celarianu, Romanian contemporary music, modernism, Boulez, Xenakis, Enesco, identity |
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