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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2011 | |||||||
Article: |
STRUCTURAL ELEMENTS IN HANS PETER TÜRK’S SUITE FOR CLARINET SOLO. Authors: . |
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Abstract: The Suite for clarinet solo composed by Hans Peter Türk was written in 1972 and is made up of three parts: Prelude - which is based on a form of sonata (even sonatina, due to its reduced length); Melopoeia - is an Arioso with a three stanza form of the type A B Av in which the predominant interval, also gaining an essential role in structuring the musical discourse, is the major and minor third; and Ostinato – which I consider to be the most complex part from the point of view of composition techniques. It contains two successive musical “moments” in contrast with one another. The score has a rich palette of instrumental colours, unified by a melodious modal-chromatic writing. Keywords: form, interval, range |
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