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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2011 | |||||||
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THEODOR GRIGORIU’S ORATORIO CANTI PER EUROPA. Authors: . |
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Abstract: Theodor Grigoriu’s oratorio Canti per Europa has four parts called frescos, it is based on a libretto containing verses of several poets from various times and spaces and it musically renders the antagonism from the creative and the destructive capacity of Europe. The creative impulse can be found in the image of a huge crater, where Dresden Opera House used to be before being destroyed by the bombings. The methods of analysis – historical, systematical etc. – had their main purpose the enhancing of the complex thorough musical writing. Keywords: Vocal-symphonic, oratorio, fresco, antagonism |
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