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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2011 | |||||||
Article: |
GEORGES ENESCO’S MUSICAL INFLUENCE ON THE FOLLOWING GENERATIONS – REALITY OR IDENTITY JUSTIFICATION?. Authors: LUANA STAN. |
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Abstract: Georges Enesco, performer, conductor and composer, represents the indispensable reference for the Romanian composers. His propose of a specific musical school was a solution both for traditionalists and modernists; on the one hand, in the case of composers who over appreciated the native Romanian space, he was seen like a justification for their own folklore’s affiliation; on the other hand, those composers who depreciate the native space, could justify themselves as followers of Enesco’s modernism. But, in the two cases, Enesco represented the “right” solution. Keywords: Enesco, Romanian music, contemporary music, folklore, Brăiloiu, identity |
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