![]()
AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
|||||||
STUDIA MUSICA - Issue no. 1 / 2019 | |||||||
Article: |
THE THEORY AND PRACTICE OF OPERETTA ROLES. Authors: JORDÁN ÉVA-ELENA. |
||||||
Abstract: The journey of operetta performers in creating their role, from the initial preparations to the premiere. The personal, organizational, artistic and professional aspects of the preparation process: studying the score, individual practice, professional auditions, the casting process, individual rehearsal time with piano accompaniment, learning the stage direction, the staging of dramatic moments, collaborating with the orchestra, vocal synchronization with the stage partners, preservation of vocal accuracy and abilities, in all stage situations, creating and learning the stage movement and situations required, the importance of accurate diction while singing and uttering dialogues, singing and acting in costume, familiarizing one’s self with the set, the rhythm of the scenes, stage orientation, establishing the rhythm of the stage portrayal, establishing a relationship with the audience, paying attention to their reactions, stage presence throughout the performance, the ability to improvise in unforeseen situations, appropriate reactions, gestures and behavior during applause. We will thus analyze a few primadonna and grande dame roles from the standpoint of the above-mentioned elements. Keywords: primadonna, grande dame, cast, rehearsals, vocal accuracy and proper diction, acting abilities, relating to the audience, ability to improvise
|
|||||||
![]() |
|||||||
![]() |