AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: MIKLÓS NOÉMI.
DOI: 10.24193/subbmusica.2017.1.18
Published Online: 2017-06-20
Published Print: 2017-06-30
pp. 259-268
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ABSTRACT:
The following essay represents an analysis of the work Le Chemin de la Croix op. 29 by Marcel Dupré. In the beginning of the essay one can find information regarding Dupré’s organist and teaching career, his organ works and organ methods. The second section of the essay consists of a detailed analysis of the work mentioned in the title. The analysis offers a structural description of the fourteen movements, with emphasis on their musical content, and commenting on technical aspects and performance issues.
Keywords: Marcel Dupré, organ, stations, movements, form, performance, technique.
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