AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: BENCE ASZTALOS.
DOI: 10.24193/subbmusica.2017.1.16
Published Online: 2017-06-20
Published Print: 2017-06-30
pp. 233-243
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ABSTRACT:
The study centres on the instruction of the two Forewords written by Richard Strauss to his opera Intermezzo to achieve perfect text understanding. The obvious reason writing that, during orchestral or operatic performance, one cannot understand the words as expressed by the singers. The composer first resolves this problem in Intermezzo, which I can appreciate both as an opera singer and as an orchestral musician.
Keywords: Intermezzo, Forewords, opera, text, understanding, instructions.
REFERENCES
Devich, Sándor, Üzenetek, Budapest, 2007.
Strauss, Richard, „Nicht veröffentlichtes Vorwort zu «Intermezzo»”. In: Betrachtungen und Erinnerungen. Willi Schuh (hrsg.), Zürich, Atlantis Verlag, 1957, p. 135-139.
RSVI: Strauss, Richard: „Vorwort zu «Intermezzo»”. In: Betrachtungen und Erinnerungen. Willi Schuh (hrsg.), Zürich, Atlantis Verlag, 1957, p. 140-149.
