The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.

 
       
         
    STUDIA MUSICA - Issue no. 1 / 2012  
         
  Article:   REGIONAL CHARACTERISTICS OF TRANSYLVANIAN-HUNGARIAN FOLK MUSIC / REGIONALE MERKMALE DER SIEBENBÜRGISCH-UNGARISCHEN VOLKSMUSIK.

Authors:  ISTVÁN ALMÁSI.
 
       
         
  Abstract:  

Béla Bartók was the first ethnomusicologist to highlight a peculiar phenomenon, namely that there are certain different characteristics in the old style traditional music region by region. The peculiarities of old melodies in Transylvania were picked up at first on the basis of examples collected in Székelyföld and Kalotaszeg. The research work of László Lajtha and Pál Járdányi, carried out later in Central-Transylvania revealed new characteristics both in vocal and instrumental music. They discovered melodies with expanded lines, emerging in connection with traditional dance music. Oszkár Dincsér reviewed the folk groups of two members, playing on the violin and the „gardon”, popular in the villages of Csík and Gyimes. The so-called psalmodic melodies are known only in Transylvania and in Moldova. The proportion of tunes known only in certain areas is the highest in Mezőség and in the region between Maros and Kis-Küküllő. Asymmetric rhythms are frequent in the dance music of these two regions and of the villages of Gyimes-Valley. It is the sign of inner regional differentiation that most of the Transylvanian peculiarities cannot be found everywhere in the territory.

Keywords: archaic features, different characteristics in the old style music, dialects, psalmodic melodies, traditional instrumental music, melodies with expanded lines, asymmetrical rhytms.

 
         
     
         
         
      Back to previous page