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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2011 | |||||||
Article: |
ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU. Authors: . |
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Abstract: It approaches to analysis some choral moments of cultic ritual of George Enescu’s opera Oedipus, in the light source of inspiration to those of ancient Greek and Byzantine succession. The concept of harmony it is used in both meanings, given in Greek antiquity and in contemporary Enescu’s. The case study is conducted on the four moments of the old Athenian cultic invocation of Act IV. It shows that the modal structures that Enescu uses are found in the diatonic and chromatic harmony of the ancient modal system, having continuity in the modal systems of Byzantine succession, until today. Also it is demonstrated the use by George Enescu of the ancient system of modulation (metabolos), used in the harmonic plane, integral, horizontal and vertical through innovative solutions. Keywords: Ancient cultic choir, harmony, monody, para-phonic, refrain, unison harmony, mode, heterophony, poli-chorded structures, hromatikons, ancient Greek metabolos, Byzantine music. |
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