AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: OLTIȚA CÎNTEC.
DOI: 10.24193/subbdrama.2017.2.07
Published Online: 2017-10-31
Published Print: 2017-10-31
pp. 131-141
VIEW PDF: GIANINA CĂRBUNARIU’S THEATRE, A FORM OF MEMORY IN RECENT HISTORY
My paper highlights the way in which, by documenting some Romanian histories from our recent past, Gianina Cărbunariu’ theatre fuels our colective memory. Cărbunariu picks topics avoided by authorities, not enough or not at all analyzed by historians or sociologists, themes that are aesthetically treated focusing on small histories, real facts forgotten by researchers, facts that are pointed out through theatrical expressiveness. My study is build around the methodology developed by Paul Ricoeur in his book, Memory, history, forgetting, which I use as frame of my analyze. As content I have chosen a few of the most succesfull shows created by Gianina Cărbunariu and the most relevant in this analitic context.
Keywords: drama, Gianina Cărbunariu, recent history, memory.
References
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